Category Archives: Films

Sirāt (2025)

#62 Months later, one movie still sparks deep reflections: Sirāt

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Today I met a friend with whom I love spending time. She’s a few years older than me, but we get along very well. We first met exactly two years ago through a local app called nebenan. At the time, I was desperately looking for someone to practice my German with, so I posted an announcement on the platform—and she responded. Since then, we’ve been meeting regularly, having tandem sessions almost every week.

We’ve reached a point now where we manage to talk about fairly complex topics. Our rule is simple: half an hour in English, half an hour in German. We take notes of each other’s mistakes and analyze them at the end of each round.

I don’t want to discuss our tandem strategy today, though. What I want to talk about is a topic that came up during our session and has stayed with me since I left the café where we met.

We spoke about a movie we both watched—Sirāt. I had actually seen it first, and it impacted me so deeply that I recommended it to everyone I know who appreciates my suggestions. The thing about this movie is that I don’t think everyone will understand or appreciate it. It’s very distant from the world most of us live in or are accustomed to. However, if you’ve ever experienced pure freedom, profound bonding, or deep experimentation in any area of life, I think the movie might speak to you in very personal and powerful ways—even if not in the same way it spoke to me.

If you’re planning to watch it, I’d suggest going in without reading anything about it. But if you want to know the premise, highlight the next paragraph with your mouse:

I’m not going to review the movie in this post—perhaps I’ll write another one about it later.

What emerged from our discussion of Sirāt was a memory of a past relationship I once had with someone who pushed me to limits I didn’t know I could reach. With her, I experienced things I never thought I would. But things didn’t last—she was too intense, too unpredictable. And as much as I tried to make it work, at some point I felt compelled to break up with her. I did, though I believe she was unconsciously—or consciously—pushing me to do it. But that’s not the point here.

What matters is the awareness that surfaced from that reflection. I’ve always dreaded breakups. I don’t think anyone sane enjoys them. It breaks my heart to break someone else’s heart, and the feeling of loneliness and emptiness often drives me into another relationship too quickly—which isn’t the healthiest response. Still, I’ve been lucky to share meaningful connections with special souls, aside from a few situations where I regretted starting something serious too soon with clear mismatches.

What I’ve learned through one relationship after another is that I shouldn’t overthink things too much. Of course, it’s important to learn from each experience and take time to heal emotionally and mentally. But there’s no rulebook for life. Things happen, and we have to go with them—trusting both the process and ourselves. For me, that’s still hard, mostly because of my constant need for balance and peace—things I’m still learning how to compromise on.

#43 The Ugly Stepsister and The Substance: mirros to our inner and outer worlds

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Two movies that, in my opinion, encapsulate one powerful aspect of our society in a masterful way: looks can get you far, but depending on them will destroy you—inside and out.
In a world increasingly bombarded by an overwhelming storm of video content—much of it led by anyone with a phone who steps into the debatable role of “influencer”—our independent will and decision-making capacity seem to be vanishing. This leaves a dangerous vacuum where ethically grounded, far-sighted, and morally sound role models are missing.

Obviously, these movies are much more than that. As with any work of cinema, each viewer interprets the story and characters differently.
Other themes stood out to me strongly: the comparison trap and the lack of contentment—even when one reaches personal goals. These were portrayed both implicitly and explicitly, reflecting the collective and individual psychosis we are experiencing today and the path toward oblivion we seem to be heading down.

Our capacity for monstrous actions is never pleasant to witness, nor something we enjoy indulging in for too long. Yet acknowledgment is always the first spoonful of medicine we must swallow to begin changing certain patterns, whether individually or collectively.
It’s true, though, that there’s a time for acknowledgment—and perhaps we’re not there yet. I see more and more people around me choosing to ignore these realities and retreat into their own personal La La La Lands. I say this in the least judgmental way possible. As beings deeply connected to what happens around us, unless we cultivate a degree of detachment, objectivity, and realism, examining our problematic self too closely can easily overwhelm us.
That’s why movies like The Substance and The Ugly Stepsister can be so powerful: they compel us to take a deep, unavoidable look at our collective insanity.

I realize I’m talking about these movies without really talking about them—but isn’t that often what happens after we leave the cinema? Whether we’re alone or in company, good films help us reflect on something deeper, and that reflection can linger for days, weeks, even months.

I usually sympathize with both the villains and the heroes in films—unless they’re mere propagandistic caricatures, created to implant prefabricated notions of good and evil.
One major takeaway for me comes from the character of Agnes, portrayed by Thea Sofie Loch Næss in The Ugly Stepsister.
Throughout the entire film, which spans several years, she resists her diabolically jealous stepsister Elvira’s (played by Lea Myren) attempts to undermine her beauty, intellect, maturity, and wisdom. Agnes knows who she is and stays true to her deepest values, no matter what.
And it doesn’t matter whether she ends up triumphant or not—what matters is that she remains connected to her identity, even as the world around her falls apart.

Elvira’s arc is equally powerful. It shows that no matter how far we’ve fallen, how deep we are in the hole, or what atrocities we’ve committed, there is always a way out. There is always a path to redemption—even when nobody believes we deserve it, and even when the consequences of our actions may follow us for the rest of our lives.
Again, it all starts from within: from putting our pieces back together and allowing ourselves to walk the path of self-forgiveness.